Review: Cléo from 5 to 7 (1962)

Directed by Agnès Varda

Starring: Corinne Marchand

This month in #FilmstagramMovieClub belongs to renown female film director Agnès Varda. I've been meaning on checking out her filmography sometime, and I am extremely happy this event is an excuse to finally do so. Being my first Varda film, I have to say Cléo from 5 to 7 was a beautiful film and experience.

The film follows Cléo, a popular singer awaiting test results that could possibly confirm a diagnosis of cancer. From 5 to 7pm, in a series of short-length chapters, Cléo interacts with those close to her, as well as a random stranger, all of whom she discusses the possibility of dying. Each conversation is well-written and introduces and discusses themes such as existential dread, and self-love. While Cléo feels in despair, she is also self-absorbed, which is seen through the reflections of mirrors and her beauty. Talking about beauty, the film's naturalistic mise-en-scène is a vibrant and elegant 1960's Paris, which is showcased beautifully throughout the film.

The film is really well-shot and uses many experimental techniques, such as a series of jump shots, slow and whip pans, as well as some crash zooms. I found that the black and white presentation was gorgeous as well as clever, as it helped convey and distinguish the reminding theme of life and death. The editing for the most part was good, but there were some editing choices I felt were a bit off. The music was great and matched the film's beautiful presentation.

Being my first Varda film, I have to say Cléo from 5 to 7 was a beautiful film and experience that truly highlights the French New Wave. Clocking a one hour and a half runtime, this film manages to express it's simple message and does it so beautifully.

My rating: 8/10